Wednesday, December 3, 2008
This time period was a time for expression and experimentation with shapes as well as materials and color. With these new ideas in mind new organizations started to emerge, creating companies that did more than your average designs. One of the major organizations that emereged was a company called Memphis. Memphis was made up of "industrial designers said to be "liberated" from their contracts with particular companies with freedom to pursue directions beyond the parameters of good design." (Raizman 355). They did everything from organizing group exhibitons in Milan to manufacturing furniture. The table in the picture above was designed by Ettore Sottsass Jr. produced by Memphis.
In this time of expression furniture design was not the only challenging aspect in postmodern culture. Behavior, dress and accessories associated with the punk movement were said to be aggressive, destructive, and uninhibited. This is were 'graffiti' began to become a real problem.
The postmoderism era had a huge affect on our culutre from political and economical issues as well as design and individual style. How do you feel about the push toward looking past average 'good' design? Do you think this was a step in the right direction? Also how do you feel about the epression of individualism with the newly found 'punk' style, changing not only they way people look at design but they way they express their own 'designs' through their dress and behavior?
Monday, December 1, 2008
Post-Modernity is a mixture of many styles, thoughts, and concepts a time during the late 70’s through the 90’s. As Raizman summarized it, “The term postmodernism is also often found in conjunction with others such as post-industrialism and late capitalism, all referring to a culture in which consumption is the common subtext, emerging first in the early years of postwar affluence in the United States and spreading to Europe and other developed nations.” One might wonder where modernism ends and postmodernism begins. Well, there is a fine line between the two and with the mixture of so many concepts during this time it makes it hard to pin point the start. According to Raizman, one group during this time had been very influential. The Memphis group comprised of Italian designers and architects who created a series of highly influential products in the 1980's. They disagreed with the conformist approach at the time and challenged the idea that products had to follow conventional shapes, colors, textures and patterns. The Memphis group was founded in 1981. One of the leading members of this group was Ettore Sottsass, Jr. His furniture designs are very significant during this time. The Memphis group also worked with the Formica Corporation to design furniture with their new material called ColorCore. Other designers during this time also experimented with new materials and shapes. Some of those designers are, Robert Venturi, Michael Graves, and Frank Gehry. According to the Heilbrunn Timeline of Art History: From the late 1970s through the '80s, many architects and designers, reacting against the dictates of modernism, looked to neoclassical forms and materials for inspiration. Visual references derived from art and architecture superseded functionalism. Overt historical references and decoration transformed architecture, furniture, tabletop accessories, and jewelry into objects of fantasy. Well-known architects Robert Venturi, Michael Graves, and others accepted commissions to design products for such diverse international companies as Knoll, Alessi, and Formica. Over a period of more than five years, beginning in the late 1970s, Robert Venturi designed his first furniture line. Knoll International initially asked for three seating types, to which Venturi added six more chairs, three tables, and a sofa. The collection included a variety of major historical furniture styles—Chippendale, Queen Anne, Empire, Hepplewhite, Sheraton, Biedermeier, Gothic Revival, Art Nouveau, and Art Deco. Frank Gehry is also well known for his work in deconstructivism that is also a connected concept to postmodernism. Sparke also defines postmodernism as, “that single vision of modernity had been replaced by a notion of ‘postmodernity’, which was multivalent and complex, in a state of continual flux, and represented by a diverse and pluralistic material culture."
What are some other forms that you recognize around campus and the state that were designed during this style? Do you feel that we were ready for a new style even though modernism was still a strong style? What to you is the biggest difference between the modernism style and post-modernism? Also, Do you feel that post-modernism was a step in the right direction?
This blog is intended for the interior design students in the college of design at the University of Kentucky. It was created with the intent to present students with information, providing them with a channel for contemplation and discussion.