Saturday, November 29, 2008
Thursday, November 27, 2008
Monday, November 24, 2008
Contemporary Design & Mass Culture, B
Ever since the war ended, different aspects of life, such as the economy, technology, as well as architecture and design had gone through numerous transformation. Shapes, forms, materials, color-palettes, ornamentation, and methods of construction of objects became simpler, more mass-produced, and highly advertised in order to accommodate the modern society who experienced the loss after the war and demanded a much more efficient lifestyle. In the 1960s, the division between "good design" and mass-production began to somewhat blurry as home furniture and accessories stores, such as Habitat marketed their goods on interior displays (Raizman, p. 318). In addition, synthetic plastic became the new and popular material for the production of furniture. For instance, British industrial designer, Robin Day designed the Polyprop Chair in 1963, from which the name of the seating corresponded to polypropylene, a synthetic plastic used as the main material (Raizman, p. 317). Since people were looking for more ease and efficiency in furniture, these chairs were designed to be stackable; hence, they became easy to store, and people were able to save some space in their homes. Although there was a connection between home furnishing and fine arts, these mass-produced goods were more sleek and simplified in general as designers and the overall society opted for standardization because of its easy assembly and lower production cost. Furniture, kitchen appliances, home accessories, and even automobile were more streamlined and rectilinear in form and subdued in color.

Sunday, November 23, 2008
Contemporary Design and Mass Culture, A
The 60's and 70's were a time of great innovation all around the world. New materials, new products, new processes, and new ways of advertising were all introduced during this time period. While many are impressed with the discovery of new ways of making things with new materials they often overlook a very important aspect: Advertising. Without a way of advertising for their products companies would find it harder to get their product on the market and sell it with great success. While televisions and radios were being invented around this time actual paper advertisement remained extremely important. As a result graphic design became very prevalent. Artists were commissioned to create logos for large companies. Creating these logos entailed creating a graphic as well as a unified text style to be associated with a particular brand. For example, Paul Rand was hired to design the logos for IBM, the Westinghouse Corporation, and ABC (Raizman, p. 328). When developing logos and advertisements it was important for the designer to be sure that it pertained to the audience he or she was trying to reach for instance in terms of age and nationality. It was also important for graphic designers to create universal symbols so that someone of a different nationality could still understand what was trying to be said. For example, symbols for men's and women's restrooms, telephones, airports, trains, smoking or non-smoking, etc. (Raizman, p. 330). Graphics can also be used for the power of suggestion. Artists may use a particular font, texture, or graphic in order to imply a certain feeling that he or she may want the viewer to acquire when viewing the ad. As you can see graphic design has more of an impact than one might consider. In what ways will you incorporate graphic design into your career as an interior designer. Do you think it will have an effect on your success as a designer and your ability to acquire clients? Why or why not?
This blog is intended for the interior design students in the college of design at the University of Kentucky. It was created with the intent to present students with information, providing them with a channel for contemplation and discussion.