Monday, September 14, 2009

VICTORIAN ERA: Impressions and Privacy



During the Victorian Era many new technologies and methods were developing allowing for more people to have access to fine furnishings. With several specializations developing in furniture design house plans changed to allow for more rooms, because people could now afford to fill them. Like “Ames” said, much of the design of the front of the house was based on first impressions. Houses developed to allow the host family to keep their guests in the front entertaining rooms and have their private living quarters hidden from view upstairs.

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Many houses had what was called a front hall where guest were first received, here much consideration was given to the furnishings. The larger and more expensive your hallstand and other furnishings, the higher your social standing would seem to the guest who enter your house. The Victorians perfected the concept of controlling the first impression.


What guests had access to was changing, the family now had some control over what other people thought when they came to visit. These new ideas on the importance of first impressions allowed for the development in the concept of privacy. Rooms could now be entered independently, you no longer had to travel through one room to the next, invading the privacy of the occupants along the way. Families could now afford for everyone to have their own bedrooms were they could go to escape in quite. They were no longer forced to all sleep in the same room.


Having visitors became a more common occurrence. As privacy became more of a need then a luxury, designers started to incorporate it into their programming. Dumbwaiters were developed so waiters wouldn’t interrupt a private conversation, back staircases were added so the servants could move around undetected to perform their duties. Victorians at the time were very concerned with what others thought of them and didn’t want to be seem as poor or unable to afford the luxuries. People would sometimes splurge to decorate their front halls and parlors more elaborately then the rest of their houses. You might even say some people still do this today when they buy a fancy sports car they only use for work, or buy designer clothing with large obvious labels to show others what they can afford.





Was the development of privacy a much needed development or was it one of the main contribution factors to the deterioration of family structure? And did this obsession with first impressions stimulate consumerism or was it the other way around, and how can these values be seen in todays culture?

Thursday, September 3, 2009

Industrial Revolution, Part I

Industrial Revolution, part I: step forward or step in the wrong direction?

As we have discussed in class, historians relate the Industrial Revolution to that of the Neolithic Revolution, when humans became an agrarian community versus nomadic (Tate & Smith, 1986, p. 219). There is no doubt that because of the Industrial Revolution we have benefited from its many inventions, advancements and improvements. Without it, our lives as we know it would be non-existent. As a person that belongs to middle class society, I would not have had the opportunities which I enjoy today if it were not for mass production and technology. In addition, very few individuals would know and understand the same comfort and luxuries we expect today. Still, history shows that the ancient Romans (before the fall of Rome) were a very advanced society and had invented many processes and materials to make life easier and more secure. Unfortunately, these methods were lost or forgotten with the fall of the Roman Empire. It took many years before these techniques were revived and improved upon. However, these “improvements” employed different methods than what was originally utilized, and since 1850 we now have 35% more carbon dioxide in our atmosphere (CBS evening news, August 2007). Sooner or later our idea of “comfort” will have to become compromised in the interest of the world’s future. The effects of this change are sure to bring about a new revolution; one that is perhaps more healthy for our environment, but (as some feel) could be detrimental to our way of life.

Considering global warming, do you believe that the Industrial Revolution, specifically the discovery of coal and other fossil fuels, was a necessary step forward or a “misstep” in the advancement of modern man? Do you think we would have found the same quality of life if we had continued to develop the technology we were already using (such as wind and water mills)? Explain your answer.

Industrial Revolution, part II


Industrial Revolution, part II: Identity and comfort


The industrial revolution brought about many changes for human kind. These changes not only took the form of machines and architecture, but were also evidenced in society structure. Some historians have compared this transformation to the Neolithic revolution (Tate & Smith, 1986, pp. 221), when humans began practicing an agrarian society. The industrial revolution also transformed society in a way that allowed people to become individuals, prompting them to question authority and, for the first time, to question their fate. As more and more factories were added, more jobs and wealth was created; people saw this as an opportunity to “make” something of themselves and to “climb” the social ladder.


The ideas of “comfort” and “privacy” were still somewhat new to 19th century society yet architecture was beginning to take notice of these desires. In the early years of American history, most of the houses had been small and had few rooms however; most of the houses in the 19th century were separated into spaces that focused on the activity at hand (i.e. sleeping, eating, entertaining, cooking). This idea also translated into commercial spaces; hospitals, shopping centers, churches, and government buildings were all separated based on their unique operations. In addition, due to the efficiency of the machine, people were able to enjoy more relaxation, hobbies, and entertainment. Libraries, museums, and theaters were opened to accommodate leisure activities.




While much of the architecture (exterior and interior) during the Victorian period was comparatively similar from house to house, it was the interior décor that provided “identity” and “comfort” to the owner. The more décor, the higher the owner’s intelligence and social standing were gauged. How do you believe this relates to society today? How do you define comfort and identity? What examples can you cite? Be specific.
Industrial Revolution, part II: Identity and comfort


The industrial revolution brought about many changes for human kind. These changes not only took the form of machines and architecture, but were also evidenced in society structure. Some historians have compared this transformation to the Neolithic revolution (Tate & Smith, 1986, pp. 221), when humans began practicing an agrarian society. The industrial revolution also transformed society in a way that allowed people to become individuals, prompting them to question authority and, for the first time, to question their fate. As more and more factories were added, more jobs and wealth was created; people saw this as an opportunity to “make” something of themselves and to “climb” the social ladder.


The ideas of “comfort” and “privacy” were still somewhat new to 19th century society yet architecture was beginning to take notice of these desires. In the early years of American history, most of the houses had been small and had few rooms however; most of the houses in the 19th century were separated into spaces that focused on the activity at hand (i.e. sleeping, eating, entertaining, cooking). This idea also translated into commercial spaces; hospitals, shopping centers, churches, and government buildings were all separated based on their unique operations. In addition, due to the efficiency of the machine, people were able to enjoy more relaxation, hobbies, and entertainment. Libraries, museums, and theaters were opened to accommodate leisure activities.


While much of the architecture (exterior and interior) during the Victorian period was comparatively similar from house to house, it was the interior décor that provided “identity” and “comfort” to the owner. The more décor, the higher the owner’s intelligence and social standing were gauged. How do you believe this relates to society today? How do you define comfort and identity? What examples can you cite? Be specific.

Tuesday, December 16, 2008

Lake Shore Drive Apartments

Sorry for the confusion guys. Here's my slide show. Hopefully it'll work this time.

Monday, December 8, 2008

Design in Context, Part A


Design in a way is an act of balance. Designers have to maintain a “balance between the permanent and the ephemeral, between nature and the consumer dominated culture” that we live in today(Raizman 363). This whole seesaw of balance believe it or not relies on us as designers to keep in check. One major thing that is throwing it off kilter is the over consumption of our society.
Our society has thrived on consumption throughout the past fifty years. We are a use and throw away society. It is mainly seen and studied in environmental awareness and the heath food industry. This is even seen through furniture sales. IKEA for example has had huge international success with its modern furniture designs. With consumption comes obsolescence, and with obsolescence also comes consumerism. In fact, “obsolescence remains the cornerstone of consumer-led design, involving the stimulation of desire through novelty on one hand and the effective management of production costs on the other”(Raizman 366).
Another driving force behind modern design is the means of miniaturizing technology. This is seen in all sorts of ways like cell phones and laptops. This can be a challenging aspect of design because so many constraints are placed on the designer which leads to a certain amount of conformity when it comes to miniaturization in electronic products(Raizman 372). In addition to this, graphic design has a huge impact on the modern designs of today. The fact that designs can be “soft” or easily changed in a digital format really makes it easy for designs to change with little effort. Finally some other influences are materials technology and craft.
If universal design is defined as “the design of products and environments to be usable by all people, to the greatest extent possible…”(Raizman 371) do you think that we are achieving this in our society as a whole? Also do you feel that this new technical society is straying too far away from the previous handmade society we used to live in? And what in your own life do you think as the largest effect on modern design today?

Wednesday, December 3, 2008

Postmodernity, Late Modernism, B

During this time we labeled as Post Modernism there were many political and economic changes as well as changes and advancements in design. "In present context of inclusiveness and relativity, notinos of reform, alienation, resistance and subversion have relinquished a measure of their power to define what has been a vital aspect of the history of modern design." (Raizman 354). Postmodernism is sometimes called post-industrialism or late capitalism, but all of these names refer to a culture where consumption is known as the 'common subtext, emerging first in the early years of postwar affluencein the United States and spreading to Europe and other developed nations." (Raizman 355). Some of the big names during this time that you might recognize are Frank Gehry, Robert Venturi ( who had a series of chairs manufactured by Knoll)and Neville Brody.



This time period was a time for expression and experimentation with shapes as well as materials and color. With these new ideas in mind new organizations started to emerge, creating companies that did more than your average designs. One of the major organizations that emereged was a company called Memphis. Memphis was made up of "industrial designers said to be "liberated" from their contracts with particular companies with freedom to pursue directions beyond the parameters of good design." (Raizman 355). They did everything from organizing group exhibitons in Milan to manufacturing furniture. The table in the picture above was designed by Ettore Sottsass Jr. produced by Memphis.
In this time of expression furniture design was not the only challenging aspect in postmodern culture. Behavior, dress and accessories associated with the punk movement were said to be aggressive, destructive, and uninhibited. This is were 'graffiti' began to become a real problem.

The postmoderism era had a huge affect on our culutre from political and economical issues as well as design and individual style. How do you feel about the push toward looking past average 'good' design? Do you think this was a step in the right direction? Also how do you feel about the epression of individualism with the newly found 'punk' style, changing not only they way people look at design but they way they express their own 'designs' through their dress and behavior?

This blog is intended for the interior design students in the college of design at the University of Kentucky. It was created with the intent to present students with information, providing them with a channel for contemplation and discussion.