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While the first post-war decade of the 1950’s initially brought about a much greater focus on mass media and consumption of goods, the 1960’s expanded on the use of new technologies and materials to create false obsolescence of goods. However, instead of merely focusing on better economic value and functionality to categorize a product as “new,” manufacturers and designers began to focus more on esthetics, combining art and functionality. The wealth of new materials and processes developed in the 1960’s and later began to obscure “the distinction between design and fashion, between needs and wants.” (Raizman, pg 318) This meant that functional design went hand-in-hand with current trends of the time and, as a result, wants became necessities. A few of the main materials used during this time were plastics and metals. Various new processes were used to make strides in areas such as furniture design, product housing, and sports equipment. Changes in furniture design were made possible by the process of injection-molding stronger plastic polymers, molding lighter weight aluminum, and using foam as a construction material instead of merely filler for upholstery. Seating design came to resemble many tendencies in the fine arts, such as abstraction and precision. A few great examples of this include Joe Columbo’s injection-mold plastic side chair and Pierre Paulin’s foam “ribbon chair.”
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Do you think that these advancements demonstrate positive or negative changes to production of goods? How have these products and processes paved the way for products we see in stores today? How has the use of these new materials affected the economy and the styles of today? Are they supportive of the "green design" emphasized in today's society?
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